Chicago, IL
If Pan-Africanism opens the political horizon of Africa’s modernity, then its borderless imagination is best envisioned in cinema’s Africanas.
In a new work commissioned for the major exhibitions on Pan-Africanism at the Art Institute, the British duo Kodwo Eshun and Anjalika Sagar of the Otolith Group have conceived a mural that studies the films directed by Senegalese filmmakers Ousmane Sembène and Djibril Diop Mambéty between 1963 and 2003.
Picture a mural that montages the spaces, bodies, faces, forms, gestures, expressions, geometries, and geographies of the cinematic Sahel imagined and invented by Mambéty and Sembène.
Credit: Overview from museum website
Chicago, IL